
Chains - Part 2

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When you think about the fact that for centuries
chains were
painstakingly handcrafted, link by link, it's all the more amazing
to see a
gold Minoan
earring, dated to the 17th century B.C. in
which delicate
charms, shaped like owls and disks, are connected to
an elaborate central disk by fine
gold chains.
Gold chains with
pendants were found at Dashur in the tomb of
Princess Khnumet, who lived during Egypt's 12th Dynasty (c.
1991-1786 B.C.) Khnumet's taste in
jewelry seems surprisingly
contemporary. One delicate gold
rope has a butterfly made of
gold
wire hanging from it. Two granulated gold star-shaped pendants hang
from another, and the pendants on a third gold chain are described
as "formalized flies," which actually look like upside-down gold
hearts.
Although the earliest
chains were made of simple links, woven chains
have been found that date back to pre-Roman times. According to Tait,
during the Hellenistic Age (325 B.C.-27 B.C.), gold became more
available in Greece, "because of the intensive mining operations in
Thrace, initiated by Phillip II, but mostly from the dissemination
of the captured Persian treasures. The jewelry in Greece began to
take on new forms, incorporating Asian and Egyptian motifs. Among
the pieces that have survived from this age is a 2nd-century B.C.
necklace from Taormina, Sicily. Its pendant, an inverted gold
crescent decorated with filigree and granulation and set with
lustrous
red garnets, is suspended from a graceful woven
gold chain.
The Romans also used woven
gold chain in their
jewelry. A treasure
from the 1st century A.D. is an exquisite
necklace, its delicate
woven
gold chain linked to cabochon
garnets, also set in gold.
Chains continued to be meticulously made by hand throughout the
Middle Ages. The Metropolitan Museum of New York has a pair of
Frankish fibulae (brooches) dating to the 7th century A.D. in the
form of gold-plated birds (possibly worn for luck), that are
connected by a
gold chain.
Much of what we know about
jewelry and how it was worn in earlier
times comes from paintings. Portraits of the once rich and famous
give us a good idea of the
jewelry of the times, or least what was
worn by the upper classes. A fascinating Flemish painting by Petrus
Christus, dated 1544) shows a goldsmith in his shop, with a wealthy
young couple behind him.
But this isn't just any goldsmith, the clue being the delicate halo
around his cap. He is Saint Eligius, the patron saint of goldsmiths
and jewelers, and he's shown holding a pair of scales, preparing to
weigh a
gold ring, which some scholars say will be used in the
wedding. What's interesting, for purposes of this article, is the
heavy and obviously expensive
gold chain that the young man behind
him wears so casually around his neck.
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