.
The next important component of pricing your work is its
INTRINSIC VALUE. Webster’s Dictionary defines
“Intrinsic” as, “belonging to the essential nature
of a thing (the ~ worth of a gem)”. Now, how does this pertain
to your beautiful creation?
· The intrinsic value of the gemstones,
and other components, you use, should influence the final price you
give your creation. A ruby is a valuable, precious gem. The fact that
you are able to purchase $10/ct. rubies for $1/ct. doesn't devalue
those rubies. So, use the gems, or components, full value, as it’s
intrinsic value.
· Research the marketplace for personally
designed and crafted jewelry that is similar to yours. If those
pieces are selling for higher prices, they will influence intrinsic
value of your work. (Name recognition can, also, influence
either price.). At the same time, if stores are selling imported
jewelry, that is similar to your work, for very low prices,
that, too, will influence the intrinsic value of your
work. Based on that, it makes sense that you shouldn’t
try to compete with those under priced, mass produced imports.
Use your own creativity and produce your own creations.
· I’ve sold my jewelry creations in numerous
art shows. Sometimes there were other designers, in those shows, that
were selling their own jewelry, equal to my work, but at much lower
prices. When their low priced work wasn’t very good, or very creative,
it usually didn’t really influence the intrinsic value of my work.
On the other hand, when the low priced work turned out to be very creative
and well made, it did effect the intrinsic value of
my work.
As an example, a few years ago, I was showing my jewelry
in a better art show in the Los Angeles area. One of the other vendors
was selling his jewelry, and it was very similar to my work. His work
was very creative and well crafted, and he was selling his work for
half the price I would have. I visited his booth and complimented his
work. Soon we were discussing pricing. He explained that he was a well-to-do
doctor, and he created jewelry as a creative outlet. He, also, stated
that he had no interest in making a profit, (he needed a business tax
loss), and that he was thrilled that people liked (and purchased) his
work. Obviously, he continued to under price his work.
Although, I could have let his pricing influence the
intrinsic value of my work, I decided not to let it. I continued
selling my work at my prices, and I did pretty well, although I did
lose a few sales to him. By my maintaining my prices, my intrinsic
value stayed the same. All, in all, both of us made a number
of sales, maintained our own prices, and I made a profit.
· Intrinsic value can influence
how a buyer values your work. If your work is priced below what a buyer
would expect to pay, the buyer will not have confidence in your work,
and might assume it is nothing more than a cheap, mass produced, import.
Five years ago, I was showing my jewelry in an expensive,
indoor, 3 day, Arts
and Crafts show. There was a lady, one aisle over, selling her jewelry
in her, brand new, beautiful, expensive, booth. We got into talking,
and she said that this was her very first show and that she was uncertain
about her work. I noticed that most of her necklaces had $30 ~ $40 price
tags. I saw that her work was very nice and I suggested that she raise
her prices. Her response was, “No one will buy my jewelry if I
raise my prices.” We discussed her costs, value, and pricing,
and then I returned to my booth.
The following early afternoon, she visited my booth. She
was crying, and told me that no body was buying her jewelry. I told
her, that since she had nothing to loose, she should try raising her
prices by 300%. She said that she couldn’t do that, but she would
experiment with doubling her prices. An hour later, she returned to
my booth. She was beaming, and said she had sold two necklaces. She
told me that she appreciated my counseling, and she would re-evaluate
her pricing before her next show.
So, “Intrinsic Value” can
also be defined as “perceived value.”
Another important consideration is “Price
point”, or determining the clients and price range you
are targeting. Before you start your business and purchase your jewelry
supplies, you should make the following decisions:
· What price range do you want to sell in?
· $25 ~ $50, $100 ~ $200, $500 ~ $1,000, $2,000 ~ $10,000?
· Who do you plan to sell to and what is their income/sophistication
level?
Neiman-Marcus or Wall Mart or Swap Meet?
· Will you be selling in Beverly Hills or in a low-income community?
If your prices and intrinsic values are too low, they won’t sell
in Beverly Hills.
If your prices and intrinsic values are too high, they won’t sell
in a low-income community.
(In either community, if you try to sell Rubies at low prices, the buyers
won’t respect your work or believe the Rubies are real.)
· Will your buyers be “high income-young urbanites”,
“old rich”, seniors, or people on a fixed income?
· Do you want to work with plastic, Austrian crystal, Agates,
Amethyst, or Alexandrite?
Platinum, 22k gold, 18k gold, 14k gold, gold fill, sterling silver,
pewter, gold/silver plate, or less?
· Do you prefer quality sales, or quantity sales?
Once you have determined your “Price Point”,
you can proceed with your planning, supply purchases, design, and the
crafting of your jewelry. If you do not do this, you can end up very
frustrated and broke.
In the next week, or more, I will cover experiences with
different pricing methods, starting a new business and your requirements;
useful books & magazines; frustration & burn-out with under
pricing; etc. Plus, I will answer the questions in part 1 of this series,
and e-mails I have received.
Note: The purpose of this series is not for me to tell
you exactly how much money you must charge, that is collusion (illegal).
Instead, it is meant to be a guide to help you understand some of the
basics of business, how to understand and calculate your true component
costs, and determine the value and selling price of your jewelry.